
Zach Condon of Beirut
When we talk about world music it seems there has always been quite an unequal divide between the ‘West and the rest,’ that is, until Beirut came along.
Well, actually, we have Sting and Paul Simon to credit for mastering the selling power of world fusion music but Beirut is high on the list of innovators who figured out how to serve up traditional folk music only to be gobbled by the masses as new. However, I must give Zach Condon some credit. He created the perfect recipe for the ultimate indie-fusion package: add two cups of dreamy trombone, just a tablespoon of musicianship, three cups of accordion and you’ve got a hit.
Removing my tongue from my cheek, I must say, Beirut was unstoppable at Treasure Island Music Festival on October 18th, 2009. The band delivered, hands down, the best performance of sunday’s all-star lineup. Condon announced that it was Beirut’s last show of a long tour and they pleased fans with a number of hit singles from past albums. Some may have been surprised by the absence in his set of songs from his latest dual EP, March of the Zapotec and Real People: Holland, but fans didn’t let on. Opening the show with “Nantes“, the Bay echoed with a chorus of fans belting lyrics that could be heard from the top of Coit Tower. As much as I would like to dislike 23 year-old cocky Condon, his eight-piece band is truly great at what they do. It was a lovely performance, one that left me ear to ear with “A Sunday Smile.”
Check out Beirut’s performance of “Elephant Gun” recorded live at Treasure Island Music Festival October 18, 2009
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